Growing the Longridge Review family of writers, editors, readers, and artists is a perpetual joy, and it is truly with joy that we welcome Thea and Semein as 2021 readers (they will be joining, not replacing, our current band of five editors) for The Anne C. Barnhill Prize for Creative Nonfiction. Check them out, and consider submitting your work beginning June 1.

— EDG

Thea Princewill has written for magazines, newspapers, television, advertising agencies, and corporations for over 25 years. In fact, when she isn’t writing, she is usually reading. Or copy-editing. Or proofreading. Thea lives in South Florida and is currently working to improve her French language skills.

Thea Princewill

***

Semein Washington is a poet whose published work can be found in Light, Eye to the Telescope, Sijo: An International Journal of Poetry and Song, Sonder Midwest, and is forthcoming in Hawai’i Review. Semein’s work is ecstatic poetry discussing topics of nature, science, religion, music, comic books, and human experience. He currently lives in Richmond, Virginia, and teaches as an adjunct professor of English at John Tyler Community College.

Semein Washington

***

If you’re new here: In 2010, a little idea for sharing essays on childhood got a big boost when Anne Clinard Barnhill submitted “Winter Solstice” to an unknown fellow West Virginian. I wanted to pursue the idea there is a lot to say about how our early experiences shape the world. Anne later sent “Melungeons and Mystery,” as well as “Staying.” It is because of Anne’s belief in Essays on a West Virginia Childhood that the project became something so much bigger, an online literary journal that publishes writers from coast to coast in the USA, and beyond.

The Barnhill Prize honors Anne Clinard Barnhill’s generous spirit of support for all who love to read and write; her lifelong empathy with those who mine their childhood experience to understand themselves now; the natural vulnerability in her compelling prose and poetry; and her boundless generosity in sharing her writing passions with the world.

Photo by Andrew Wegmann

We are thrilled to announce that Mike Smith will award the 2021 Anne C. Barnhill Prize for Creative Nonfiction. Mike is Anne’s son, and we are over the moon that he will be our judge this year.

Mike Smith lives with his family of seven deep in the Mississippi Delta. He’s previously published nonfiction, poetry, and fiction in translation with independent and academic presses. Most recently, his published work is Contemporary Chinese Short-Short Stories (Columbia University Press) and the memoir, There Was Evening and There Was Morning: Essays on Illness, Love, and Loss (WTAW Press), which documents the strange set of coincidences between his first wife’s illness and death and his stepdaughter’s similar illness and recovery three years later. Three years ago, his mother, Anne Clinard Barnhill, named him her literary executor, leaving behind two unfinished manuscripts for him to complete.

Things to do today:

Read the 2019 #BarnhillPrize-winning essay here:  
Suburbs Plagued by Foraging Deer
and the 2020 winner here:
4 Generations of Black Hair Matters
Mike Smith and his children

Miriam Glassman, The Bibliosquatter
Therése Halscheid, Incident
Kent Jacobson, What She Didn’t Say
Janine Kovac, Breaking Character
Sharon Waters, Straight Hair Be Damned
Hannah Williams, Ring and Rabbit

Featured Artist

Chloe W.

My World © Chloe W.

This issue has a bully thread running through it; the essays range from humorous to painful, and remind the reader that childhood is often a rollercoaster of dodged threats, unwanted pursuits, emotional crises, and coming to terms with how to best situate what other people put us through so we can move on with our whole lives.

Childhood can be funny, heartbreaking, and dangerous; and some parts of it are unforgettable.

In The Bibliosquatter, Glassman confesses her childhood secret life at the library; and by secret we mean secret. You can’t help but be impressed and awed by the lengths she goes to while escaping her personal bully. What were 1970s parents doing again?

Halscheid’s flash piece recalls the meanness of boys who waited for her daily, harassing her and mocking her appearance as she tried to best cover her starving body during her father’s illness. The narrator’s loneliness becomes something we can’t un-feel.

Jacobson’s haunting memories of a girl he loved and her unexplained disappearance from his life linger like salty air or soft flowers; the entire narrative feels like something evoked from a mysterious scent, something that triggers a sense of loss but exchanges what it takes for something beautiful.

In Breaking Character, Kovac’s childhood ballet takes a Lord of The Flies turn that, while bringing a laugh, also owns up to how we feel deep desires and rages even when very young — emotions and wants on a level that feel familiar from an adult perspective. (Her recounting of a teacher’s memories of winters in Germany is not to be missed. You’ll appreciate The Nutcracker on a new level.)

Waters tries to make peace with her mother’s obsessions with what other people think of her and her family. Many readers will recognize the experience of trying to please a parent who cannot be satisfied, and spending years seeking the best way to accept that parent and to love oneself.

Finally, Williams explores a relationship that spans childhood to adulthood, and that reveals some uncomfortable truths about competition, judgement, and control in unexpected places. Readers no doubt will recognize some version of this evolution in their own lives. The reappearance of the rabbit (What is the rabbit, in fact?) towards the end of the essay is a brilliant touch.

Come read and enjoy!

The writers have worked hard to bring you their experience, wisdom, and places for empathy and understanding. Our team of readers and editors are privileged to assist.

P.S. Submissions open soon for our next issue: February 1, 2021-April 2, 2021.

Thank you for your support.

Congratulations to our finalists for the Anne C. Barnhill Prize for Creative Nonfiction!

Desi Allevato (Charlottesville, Virginia)
Elana Margot (Santa Cruz, California)
Vanessa Remmers (Columbus, Ohio)
Marsha Lynn Smith (Los Angeles, California)
Cheryl Skory Suma (Greater Toronto Area, Ontario)

We are exceptionally proud to present these writers and their outstanding essays. Out of over 70 submissions, our editors chose these five to forward to contest judge Carter Sickels. Carter has made his choice, and we will announce the winner on Friday, October 16; on that date we will also post links to each essay, along with bios of these talented writers.

Thank you for your support of this contest. Our goal is to keep the spirit of Anne Barnhill alive in the writing world she loved so much, as well as to offer recognition and reward opportunities for writers who “present the finest essays on the mysteries of childhood experience, the wonder of adult reflection, and how the two connect over a lifespan.”

This image has an empty alt attribute; its file name is randalowain.jpg
Photo by Amie LeeKing

We are thrilled to announce that Carter Sickels will award the 2020 Anne C. Barnhill Prize for Creative Nonfiction.

Carter’s novel The Prettiest Star is forthcoming from Hub City Press in 2020. He is the author of the novel The Evening Hour (Bloomsbury 2012), an Oregon Book Award finalist and a Lambda Literary Award finalist. His essays and fiction have appeared in a variety of publications, including Oxford American, Poets & Writers, BuzzFeed, Guernica, and the Bellevue Literary Review. Carter is the recipient of the 2013 Lambda Literary Emerging Writer Award, and earned fellowships from the Bread Loaf Writers’ Conference, the Sewanee Writers’ Conference, the Virginia Center for the Creative Arts, and the MacDowell Colony. He is an assistant professor of English at Eastern Kentucky University, where he teaches in the Bluegrass Writers low-residency MFA program.

Things to do today:

Read the 2019 #BarnhillPrize-winning essay here:  
Suburbs Plagued by Foraging Deer

Summer of 2006. Four childhood best friends. A family secret.

Here at Longridge Review, we like to share good news about writers whose work we have published. Today’s good news is about Natalie Rodriguez, whose 2017 essay “The Permission of Alcohol” examined her disordered drinking to facilitate expressions of grief.

The COVID-19 situation is interfering with the anticipated release of many new books, but Natalie reports that the ebook version of new YA book, Elephant, is available for an unlimited time on Booksprout. All you need to do is create a free account on Booksprout to download the book. The book is also available right now for Kindle on Amazon and Nook for Barnes and Noble.

About Elephant:

After a strange encounter leaves him hospitalized, a timid teenage boy named Matt “Matty” Smith comes home to a continuous series of events met with anxiety, depression, and PTSD. Under the guardianship of his grandma, Lucia, Matt lives with unspoken questions about his grandfather and parents. The elephant in the room. As Matt develops over the summer, the secrets only grow more profound and complex. Will the answers ever come? While searching for answers, Matt and his three childhood best friends encounter the meanings of love, forgiveness, and fate.

This story is for those who feel their voice is unheard and for children, teenagers, and adults who never had the chance to heal from their pain.

If you need some new — safe — contact in quarantine, Natalie is all over the socials and would love to hear from you! 

Ways to find her and to connect:

Website – nataliecrodriguez.com

IG: @natchristinerod

LinkedIn: linkedin.com/nataliechristinerodriguez

Instagram: https://www.instagram.com/elephant_bookya/

Twitter: https://twitter.com/ebookya/

Finally, you can leave your review on Google Books & Goodreads.

Let’s keep our #WritingCommunity connected and supported during this strange time for all of us.

Congratulations to our finalists for the Anne C. Barnhill Prize for Creative Nonfiction!

Neema Avashia (Boston)
Rochelle Harris Cox (Northwest GA)
Dorian Fox (Boston)
Jenna Korsmo (Tuscon)
Jessica Langlois (Atlanta)
Elizabeth Lantz (Columbus)
Mary Mahoney (New York)
Elizabeth Muller (New Jersey)
Laura Stanfill (Portland OR)
Lisa López Smith (Central Mexico)

We are exceptionally proud to present these writers and their outstanding essays. Out of over 120 submissions, our editors chose these 10 to forward to contest judge Randal O’Wain. Randal has made his choice, and we will announce the winner on Friday, October 11; on that date we will also post links to each essay, along with bios of these talented writers.

Thank you for your support and patience as we developed this contest. Our goal is to keep the spirit of Anne Barnhill alive in the writing world she loved so much, as well as to offer recognition and reward opportunities for writers who “present the finest essays on the mysteries of childhood experience, the wonder of adult reflection, and how the two connect over a lifespan.”

June 1 opened submissions for the Anne C. Barnhill Prize for Creative Nonfiction.

The Barnhill Prize honors Anne’s generous spirit of support for all who love to read and write; her lifelong empathy with those who mine their childhood experience to understand themselves now; the natural vulnerability in her compelling prose and poetry; and her boundless generosity in sharing her writing passions with the world.

Selection process: Editors determine the pool of 10 finalist essays. Those 10 essays will be read by an outside judge who makes the final selection of one winning essay. The author of the winning essay receives a cash award of $250. The winner has ten days to accept the award. More information about this year’s judge, M. Randal O’Wain, can be found here: https://longridgereview.com/2019/04/12/m-randal-owain-to-judge-1st-barnhill-prize-contest/.

Eligibility: The competition is open to writers in English, whether published or unpublished. Previous winners of this award are not eligible to win again. Writers must be residents of North America. 

Essay Guidelines:

  1. Essays should be double-spaced and no more than 3,500 words in length.
  2. The award recognizes outstanding creative nonfiction that reflects our mission: (See About)
  3. Essays are only accepted via our Submittable online platform. No paper, please.
  4. Please be sure essay pages are numbered and that your name is NOT on the document that is your essay.
  5. Please use a standard, easy-to-read font such as Times New Roman in twelve-point size.
  6. Essays may not have been previously published.
  7. Authors may submit more than one essay to the competition for consideration as long as no material is duplicated between submissions. Each submission will require a separate entry fee.
  8. Essays under consideration for this competition may be submitted elsewhere at the same time. Please withdraw your essay if it is accepted by another publisher and should no longer be considered for the Barnhill Prize for Creative Nonfiction competition. Withdrawal can be completed via the submissions manager website. Entry fees ($10 per submission) are not refundable.
  9. The final judge will not be aware of the names or publication records of the authors. If he believes he recognizes the work or identity of the writer, he will disclose that to our editors.
  10. Please forward any questions to edg (at) longridgeeditors (dot) com. Thank you!
© Larry Thacker

The Pushcart Prize: Best of the Small Presses series, published every year since 1976, is the most honored literary project in America.

Since 1976, hundreds of presses and thousands of writers of short stories, poetry and essays have been represented in annual collections. Each year most of the writers and many of the presses are new to the series. Every volume contains an index of past selections, plus lists of outstanding presses with addresses.

The Pushcart Prize has been a labor of love and independent spirits since its founding. It is one of the last surviving literary co-ops from the 60’s and 70’s. Its legacy is assured by donations to its Fellowships endowment.

Longridge Review is pleased announce our 2018 nominees:

  • Nora Seilheimer, Back into Movement

(published Winter 2018-February, Longridge Review, https://longridgereview.com/nora-seilheimer/)

  • Luanne Castle, The Secret Kotex Club  

(published Spring 2018-May, Longridge Review, https://longridgereview.com/luanne-castle/)

  • Risa Nye, Visions of LaDonna                                                                                                          

(published Spring 2018-May, Longridge Review, https://longridgereview.com/risa-nye/)

  • David McVey, On the Wonder of the World

(published Fall 2018-November, Longridge Review, https://longridgereview.com/david-mcvey/)

  • Aliza Dube, Loved to Death

(published Fall 2018-November, Longridge Review, https://longridgereview.com/aliza-dube/)

  • Nikki SambitskyPenny Drop

(published Fall 2018-November, Longridge Review, https://longridgereview.com/nikki-sambitsky/)

 

Congratulations to each of these wonderful writers, and thank you to everyone who found a forever home for his or her essay with us in 2018!

 

Header art by Sharon Lyn Stackpole, “Conversation with Annie,” ink and coffee on cold press.

 

Creative Nonfiction, #12 Fall 2018

Christopher Cascio, Kid
Heidi Davidson-Drexel, Your Boss
Aliza Dube, Loved to Death
Anne Noonan, Stink Tree
Lisa Rizzo, Snowsuit Prisoners

Nikki Sambitsky, Penny Drop

Featured Artist

Peter Tavernise

NEWS:

We will open submissions again from December 14, 2018 – January 15, 2019.

  • Our guest blogger in Issue 12 is essayist Heidi Davidson-Drexel. Read thoughts on how she developed the narrator voice in “Your Boss.”
  • Suzanne Farrell Smith’s essay, “The Helping Man,” is nominated by Pembroke Magazine for Pushcart Prize. Congratulations and good luck! This fall Suzanne also had an essay published in Brevity, “If You Find a Mouse in a Glue Trap.” Finally, her essay “Work and Love” is published in Issue 8 of Adanna. Way to go, SFS!
  • Read our editor Mary Heather Noble’s blog post, On Writer’s Block: Notes from the Kitchen Island. “I’ve tried all kinds of ways to avoid doing this work. I tried moving far away, and when that didn’t help, I wrote and published a few scenes from that childhood path and then suffered the consequences. I’ve tried writing about other things. I’ve tried literally running away.” This is a gorgeous and vulnerable self-examination of, among other things, the mountain climbing we do as children and as adults.
  • Our former guest editor for Peter Tavernise is this issue’s Featured Artist — check out his gorgeous digitally created work!
  • Do you have a question for us? Write to us at Ask the Editor. In December, we will tackle the question, “What qualifies as childhood for your mission?” Read Heidi’s blog post about her authorial choices in her essay, Your Boss.
  • We ask you to follow our blog! We don’t post there often, but when we do it’s focused information you can use about writing and writers, as well as updates about our journal.
  • We are on Twitter and Facebook: Follow/Like us to stay in the loop on all things Longridge: @LongridgeReview and Longridge Editors LLC.