Beatrice Motamedi

It is our great pleasure to announce that Beatrice Motamedi is the 2021 winner of The Anne C. Barnhill Prize for Creative Nonfiction. Her essay, How to Make Jeweled Rice, was an early favorite in the submission process, and was named the best of the best by contest judge Mike Smith. Smith writes:

It has been a terrific pleasure to read and reread the eight finalists for the 2021 Anne C. Barnhill Prize for Creative Nonfiction, every one of which, I believe, would delight the contest’s namesake. My job was not an easy one, and I want to congratulate all the writers on producing such accomplished work and thank them for sharing it with the readers of Longridge Review.

“How to Make Jeweled Rice (Shirin Polo),” like a lot of great lyric essays, recognizes alteration—of time and place, of voice, of perspective and language—as a dynamic generator of rhythm. The steps of the recipe for Shirin Polo, handed down to the writer from her mother, anchors poignant childhood scenes of growing up in the 1960s as the child of Iranian immigrants in Milwaukee to an extended scene of visiting “Tehrangeles” as an adult. The essay moves between the steps of the recipe to memories of childhood in which the writer comes to terms with the decision to assimilate into American culture. From the problematizing of the popularization of rice in the United States—through a brief history of Uncle Ben’s, which successfully “stirred the pot” in the second half of the 20th Century—to an episode of people-watching on Rodeo Drive, there is a wry, winking humor at work throughout this essay, which grounds us through the movement between times and places as much as it charms.

Mike also named as notable The Benefit of Others (Cabrera) and Learning Shame (Thomas). Congratulations to Beatrice, and to each of our finalists. On behalf of our editorial team, we are humbled and grateful to have the opportunity to read your work; most of all, you contributed to the dream of honoring Anne Barnhill by offering poignant and powerful narratives from your childhood experience.

Please see our home page or Creative Nonfiction menu tab for links to all of our essays, and thank you!

Beatrice Motamedi is a writer, journalist and teacher. She was a Stegner Fellow in poetry and a John S. Knight Fellow in journalism, both at Stanford University. Beatrice’s work has appeared in Let Me Tell You Where I’ve Been: New Writing by Women of the Iranian Diaspora (University of Arkansas Press: 2006) as well as the San Francisco Chronicle, The New York Times and The International Herald-Tribune. Her series, “The Long Arm of Childhood,” is part of the Solutions Journalism Network’s Story Tracker. Beatrice lives in Oakland, California.

Anita Cabrera‘s s poetry, fiction and essays have appeared in The New Guard, Brain,Child Magazine, Colere, Acentos Review, The Berkeley Fiction Review, Best Travelers’ Tales 2021 Anthology, MER, Deronda, and other journals. Her short fiction has been nominated for a Pushcart Award and adapted for stage by the Bay Area Word for Word Theater Company. She lives in San Francisco where she is active in dance and recovery communities.

Frances Thomas is a writer and editor based in Brooklyn, New York. Born and raised in Vancouver, British Columbia, she moved to the United States in 2014 to study communications and creative writing at New York University. Her work has appeared in The Maine Review and Academy Press.

Catherine Con holds a BA in English Literature from Fu-Jen Catholic University, Taiwan, and an MS in System Science from Louisiana State University. She is a Computer Science instructor at the University of South Carolina, Upstate. She is published in Emrys Journal, Tint Journal, The Bare Life Review, The Petigru Review, HerStry, Shards, Dunes Review, Emrys Journal Online, National Women’s History Museum, and Catfish Stew. Con was nominated for 2020 PEN/Robert J. Dau Short Story Prize for Emerging Writers, and selected for “2020 Local Authors” by Greenville County Library, South Carolina.

Carroll Grossman, also known as Teaberry, lives and writes in Louisville, Kentucky. Born and raised in the mountains of eastern Kentucky, she followed her dad along narrow deer paths, steep hills and razorback ridges, and across clear, cool streams. Many of her stories and poems reflect the honest, strong and resilient nature of those living in economic poverty while surrounded by great natural beauty. Her work has appeared in Edible Louisville; Harmony, Humanities Magazine of the University of Arizona College of Medicine; Calliope, an anthology published by Women Who Write. Her work may also be found in, The White Squirrel, a literary arts magazine of the University of Louisville; Interstice, a literary publication of South Texas College; Literary Accents and Canary, a literary journal of the environmental crisis. A collection of poetry, Possibility . . .Yes, was published in 2012. She recently received her MFA in Creative Writing from Spalding University.

Douglas Imbrogno is a lifelong storyteller in words, pictures and moving imagery. He worked for 35 years as a long-form feature writer, feature editor, and multimedia producer for a legendary small newspaper, The Charleston Gazette, in West Virginia. He currently is editor of the multimedia magazine WestVirginiaVille.com and co-founder of AMP Media, a multimedia production shop that does everything from short documentaries to music videos to ‘Naturegrams.’ He also edited and compiled “WHAT WHY HOW: Answers to Your Questions About Buddhism, Meditation, and Living Mindfully by Bhante G,” released internationally in January 2020 by Wisdom Publications.

Lina Lau is a mother, green tea drinker and writer based in Toronto, Canada. Her work can be found in XRAY Literary Magazine, The Citron Review, Hippocampus Magazine, carte blanche, and others. She writes during the in-between moments of parenthood. Follow her on Twitter @LinaLau_ and on IG @_linalau_.

Paulina Pinsky is a writer and educator based in Brooklyn. She received her MFA in Nonfiction Creative Writing from Columbia University, where she currently teaches comedy writing to high schoolers. She is the co-author of IT DOESN’T HAVE TO BE AWKWARD, from HMH September 2021. She was a 2021 MacDowell fellow and has been published in Narratively, Human Parts, Columbia Journal, Slackjaw Humor, and HuffPo Women. Visit her website, www.paulinapinsky.com, where you can find links to her socials (@mizpiggy111).

Cocktail Party © Judith Podell

Congratulations to our finalists for the Anne C. Barnhill Prize for Creative Nonfiction!

Anita Cabrera (San Francisco, California)
Catherine Con (Greer, South Carolina)
Carroll Grossman (Louisville, Kentucky)
Douglas Imbrogno (Huntington, West Virginia)
Lina Lau (Toronto, Ontario)
Beatrice Motamedi (Oakland,California)
Paulina Pinsky (Brooklyn, New York)
Frances Thomas (Brooklyn, New York)

We are exceptionally proud to present these writers and their outstanding essays. Out of over 60 submissions, our editors chose these eight to forward to contest judge Mike Smith. Mike has made his choice, and we will announce the winner on Monday, October 4; on that date we will also post links to each essay, along with bios of these talented writers.

Thank you for your support of this contest. Our goal is to keep the spirit of Anne Barnhill alive in the writing world she loved so much, as well as to offer recognition and reward opportunities for writers who “present the finest essays on the mysteries of childhood experience, the wonder of adult reflection, and how the two connect over a lifespan.”

Growing the Longridge Review family of writers, editors, readers, and artists is a perpetual joy, and it is truly with joy that we welcome Thea and Semein as 2021 readers (they will be joining, not replacing, our current band of five editors) for The Anne C. Barnhill Prize for Creative Nonfiction. Check them out, and consider submitting your work beginning June 1.

— EDG

Thea Princewill has written for magazines, newspapers, television, advertising agencies, and corporations for over 25 years. In fact, when she isn’t writing, she is usually reading. Or copy-editing. Or proofreading. Thea lives in South Florida and is currently working to improve her French language skills.

Thea Princewill

***

Semein Washington is a poet whose published work can be found in Light, Eye to the Telescope, Sijo: An International Journal of Poetry and Song, Sonder Midwest, and is forthcoming in Hawai’i Review. Semein’s work is ecstatic poetry discussing topics of nature, science, religion, music, comic books, and human experience. He currently lives in Richmond, Virginia, and teaches as an adjunct professor of English at John Tyler Community College.

Semein Washington

***

If you’re new here: In 2010, a little idea for sharing essays on childhood got a big boost when Anne Clinard Barnhill submitted “Winter Solstice” to an unknown fellow West Virginian. I wanted to pursue the idea there is a lot to say about how our early experiences shape the world. Anne later sent “Melungeons and Mystery,” as well as “Staying.” It is because of Anne’s belief in Essays on a West Virginia Childhood that the project became something so much bigger, an online literary journal that publishes writers from coast to coast in the USA, and beyond.

The Barnhill Prize honors Anne Clinard Barnhill’s generous spirit of support for all who love to read and write; her lifelong empathy with those who mine their childhood experience to understand themselves now; the natural vulnerability in her compelling prose and poetry; and her boundless generosity in sharing her writing passions with the world.

Photo by Andrew Wegmann

We are thrilled to announce that Mike Smith will award the 2021 Anne C. Barnhill Prize for Creative Nonfiction. Mike is Anne’s son, and we are over the moon that he will be our judge this year.

Mike Smith lives with his family of seven deep in the Mississippi Delta. He’s previously published nonfiction, poetry, and fiction in translation with independent and academic presses. Most recently, his published work is Contemporary Chinese Short-Short Stories (Columbia University Press) and the memoir, There Was Evening and There Was Morning: Essays on Illness, Love, and Loss (WTAW Press), which documents the strange set of coincidences between his first wife’s illness and death and his stepdaughter’s similar illness and recovery three years later. Three years ago, his mother, Anne Clinard Barnhill, named him her literary executor, leaving behind two unfinished manuscripts for him to complete.

Things to do today:

Read the 2019 #BarnhillPrize-winning essay here:  
Suburbs Plagued by Foraging Deer
and the 2020 winner here:
4 Generations of Black Hair Matters
Mike Smith and his children

It is our great pleasure to announce that Marsha Lynn Smith is the 2020 winner of The Anne C. Barnhill Prize for Creative Nonfiction. Her essay, 4 Generations of Black Hair Matters, was an early favorite in the submission process, and was named the best of the best by contest judge Carter Sickels. Sickels writes:

“I was impressed by all of the wonderful essays I read for The Barnhill Prize, and I want thank the writers for sharing their work. 

4 Generations of Black Hair Matters explores the changing hairstyles of four generations of Black women, and beautifully exemplifies what the personal essay can do. It’s both intimate and insightful. By writing about her own life with nuance, intimacy, and specificity, Smith illuminates truths about American culture and history, and about race, gender, and class. 

From the first scene, as the narrator considers “detangling” her granddaughter’s “springy hair coils,” I knew I was in confident, skilled hands. Whether mining her memories of her mother working over her hair with a hot comb or getting her first natural at a barber shop in Chicago, or keenly examining why generations of Black women embraced or rejected particular hairstyles, the narrator of this essay is smart, supple, and funny. I was absolutely drawn in by the narrator’s voice, and by the precise, nimble prose. 4 Generations of Black Hair Matters is a personal, perceptive essay that explores Black women’s hairstyles as powerful expressions of identity, beauty, and culture.”

Congratulations to Marsha, and to each of our finalists. On behalf of our editorial team, we are humbled and grateful to have the opportunity to read your work; most of all, you contributed to the dream of honoring Anne Barnhill by offering poignant and powerful narratives from your childhood experience.

Thank you!

Marsha Lynn Smith is completing a memoir highlighting a rocky romance with a jazz musician, juggling single motherhood and her surprise career as a Hollywood publicist. Her work has or will be published in the Los Angeles Review of Books, River Teeth, and Rigorous. Also, her essays will appear in the print journals of Genre: Urban Arts’ Femme Literati Mixtape No. 2, and Madville Publishing’s 2021 essay anthology, Being Home. She likes to read historical fiction novels, and admits to binge-watching international TV dramas.  Follow her on Twitter: @real_marsha

Desi Allevato lives in central Virginia with her husband, where they are raising one child, two cats, and a hundred tree saplings in a suburban backyard. She has a brain tumor, ADHD, and an unfinished dissertation about Russian history, and assumed her life was pretty ordinary until a friend told her should write about it. She is a contributing writer to Grow Christians. Follow her on Twitter, @desirosie.

Elana Margot is a writer of poetry, autofiction, and creative nonfiction based in the Bay Area. Her writing has been published in The Goose: A Journal of Arts, Environment, and Culture in Canada, and Undercurrents: A Journal of Critical Environmental Studies. Her work centers the practice of writing into grief, embodiment, childhood subjectivity, queerness, and animality. Follow her on Twitter: @ElanaMargot

Vanessa Remmers  is a former journalist who is now working to tell her own stories. You can find more of her work on Twitter @RemmersVanessa or at vanessaremmers.journoportfolio.com

Cheryl Skory Suma launched her writing career with a YA fantasy novel, Habitan, which made the longlist of the 2019 Santa Fe Writers Project Literary Awards. She won Blank Spaces 2020 (March) Flash Fiction Contest, was longlisted for both Pulp Literature’s 2020 Bumblebee Flash Fiction Contest & Hummingbird Flash Fiction Prize, received an Honorable Mention for Spider Road Press 2020 Flash Fiction Contest, was a finalist for Exposition Review’s Flash 405 (April 2020), and her second novel, gods Playground, was a ScreenCraft Cinematic Book Competition semifinalist. Her poetry has appeared in La Piccioletta Barca and Public Poetry’s Enough Anthology. In 2019 she was also a semifinalist for Ruminate Magazine’s VanderMey Nonfiction Prize and shortlisted for Hippocampus Magazine’s Creative Nonfiction Contest, Blank Spaces Flash Fiction contest and the Erbacce Prize for poetry. Cheryl has a Masters of Health Science in Speech-Language Pathology and a B.Sc. in Honors Psychology. Her website is cherylskorysuma.com. Follow her on Twitter: @cherylskorysuma

The Anne C. Barnhill Prize for Creative Nonfiction

“Though the surroundings were lovely, there was an underside to all that beauty.”

Anne Barnhill


Submissions open June 1 – July 31, 2020.

The Barnhill Prize honors Anne’s generous spirit of support for all who love to read and write; her lifelong empathy with those who mine their childhood experience to understand themselves now; the natural vulnerability in her compelling prose and poetry; and her boundless generosity in sharing her writing passions with the world.

Selection process: Editors determine the pool of up to 10 finalist essays. Finalist essays will be read by an outside judge who selects one winning essay. The author of the winning essay receives a cash award of $250. The winner has ten days to accept the award. More information about this year’s judge, Carter Sickels, can be found here: #BarnhillPrize judge 2020.

Eligibility: The competition is open to writers in English, whether published or unpublished. Previous winners of this award are not eligible to win again. Writers must be residents of North America.

Essay Guidelines:

  1. Current or former students of the contest judge should NOT submit their work to this contest; the same goes for anyone who personally knows the judge in any regard.
  2. Essays should be double-spaced and no more than 3,500 words in length.
  3. The award recognizes outstanding creative nonfiction that reflects our mission: (See About)
  4. Essays are only accepted via our Submittable online platform. No paper, please.
  5. Please be sure essay pages are numbered and that your name is NOT on the document that is your essay.
  6. Please use a standard, easy-to-read font such as Times New Roman in twelve-point size.
  7. Essays may not have been previously published.
  8. Authors may submit more than one essay to the competition for consideration as long as no material is duplicated between submissions. Each submission will require a separate entry fee.
  9. Essays under consideration for this competition may be submitted elsewhere at the same time. Please withdraw your essay if it is accepted by another publisher and should no longer be considered for the Barnhill Prize for Creative Nonfiction competition. Withdrawal can be completed via the submissions manager website. Entry fees ($10 per submission) are not refundable.
  10. The final judge will not be aware of the names or publication records of the authors. If he believes he recognizes the work or identity of the writer, he will disclose that to our editors.
  11. Please forward any questions to edg (at) longridgeeditors (dot) com. Thank you!

©Carlos Culbertson, featured artist Issue 3, Spring 2016

This image has an empty alt attribute; its file name is randalowain.jpg
Photo by Amie LeeKing

We are thrilled to announce that Carter Sickels will award the 2020 Anne C. Barnhill Prize for Creative Nonfiction.

Carter’s novel The Prettiest Star is forthcoming from Hub City Press in 2020. He is the author of the novel The Evening Hour (Bloomsbury 2012), an Oregon Book Award finalist and a Lambda Literary Award finalist. His essays and fiction have appeared in a variety of publications, including Oxford American, Poets & Writers, BuzzFeed, Guernica, and the Bellevue Literary Review. Carter is the recipient of the 2013 Lambda Literary Emerging Writer Award, and earned fellowships from the Bread Loaf Writers’ Conference, the Sewanee Writers’ Conference, the Virginia Center for the Creative Arts, and the MacDowell Colony. He is an assistant professor of English at Eastern Kentucky University, where he teaches in the Bluegrass Writers low-residency MFA program.

Things to do today:

Read the 2019 #BarnhillPrize-winning essay here:  
Suburbs Plagued by Foraging Deer


It is our great pleasure to announce that Mary J. Mahoney is the first winner of The Anne C. Barnhill Prize for Creative Nonfiction. Her essay, Suburbs Plagued by Foraging Deer, captured our editors’ eyes early in the submission process, and was named the best of the best by contest judge Randal O’Wain. O’Wain writes:

“What initially drew me to ‘Suburbs Plagued by Foraging Deer’ was the confident narrative voice. I felt at once that I was in the hands of a complicated storyteller, a storyteller that understands how necessary it is to consider the complexity of the human condition without relying on easy answers.

The voice is curious yet anguished with a great amount of humor and all of this together deepens the insights the writer gains about place and family, especially in the nuanced ways in which the parents and sisters are balanced with regards to the new suburban home.

In the end, however, what drew me to this essay out of all the very self-assured and talented writers I was lucky enough to read for The Barnhill Prize was the impressionistic style of “Suburbs Plagued by Foraging Deer.” Where the situation of the essay—a Catholic family moves from Brooklyn to a Long Island suburb called Deer Park—is simple enough, the subterranean story of longing and economic advancement, the story of tradition and generational shifts, is written with compelling subtlety.”

Named as notable by O’Wain are The Imaginary Writer by Elizabeth Lantz, and The Fence by Dorian Fox.

Congratulations to these writers, and to each of our finalists. On behalf of our editorial team, we are humbled and grateful to have the opportunity to read your work; most of all, you contributed to the dream of honoring Anne Barnhill by offering poignant and powerful narratives from your childhood experience.

Thank you!

Mary J. Mahoney earned an MFA in creative writing from Sarah Lawrence College and a PhD in literature and creative writing from the University of Houston. She is an associate professor of English in New York. Her work has been published in many literary venues, including The Paris ReviewThe Kenyon ReviewPrairie Schooner, and more. She is the recipient of numerous writing awards, including fellowships from the National Endowment of the Arts and the National Endowment of the Humanities. 

Elizabeth Lantz holds an MFA degree in creative nonfiction from The Ohio State University and currently teaches creative writing at Columbus State Community College. Her work has been published in Kenyon ReviewAmerican Literary ReviewSouth Dakota Review, and others.

Dorian Fox is a writer and freelance editor in Boston, where he teaches courses at GrubStreet, a non-profit creative writing center. His essays have appeared or are forthcoming in The RumpusGay Magazine, Atticus Review,  decemberUnder the Gum TreeGastronomica, and elsewhere.

Tomorrow we announce the winner! Here are all 10 essays in case you have an office pool or Fantasy Writers League going . . . congratulations again to these outstanding essayists.

Neema Avashia (Boston), A Hindu Hillbilly Elegy
Rochelle Harris Cox (Northwest GA), North Georgia Gothic
Dorian Fox (Boston), The Fence
Jenna Korsmo (Tuscon), Sister-Cats
Jessica Langlois (Atlanta), Ways to Die in Alabama
Elizabeth Lantz (Columbus), The Imaginary Writer
Mary J. Mahoney (New York), Suburbs Plagued by Foraging Deer
Elizabeth Muller (New Jersey), The Revival of the Fittest
Laura Stanfill (Portland OR), Birdsong in the Key of Brain Injury
Lisa López Smith (Central Mexico), Turning 37

I give thanks for baptism in symbol.
The deep blue covering every need—
watery armor against despair—
praise the groundswell of heartbeat.

Word incarnate, Word divine,
holy place of print,
create in me,
break me.

from “Keep the Feast” by Anne Clinard Barnhill, a poem in Coal, Baby

Ask the Editor is a resource for our readers and writers in which we review and respond to popular questions about our journal, essay writing, submissions, and literary potpourri type stuff. Have a question you’d like to see answered here? Send it to edg dot longridgeeditors dot com. Chosen questions will be kept anonymous.

This recent question comes from a writer who submitted an essay to the Barnhill Prize contest.

Q: “I’m wondering if essays will also be considered for the online journal outside of the contest?”


A: The short answer is YES, but the complicating factor is we don’t yet know exactly how. We are planning to send up to 10 essays to our judge, and ideally the essays that are not the prize winner will be published online. That is the plan at this point. We don’t know how many essays we will receive, though so far we are off to a good start!

We are grateful to everyone who supports our journal, and we read every essay with focus and care.

Like many online journal editors, we’ve had a range of experiences: Essays we declined, but then returned to the writer with more time to work through revisions and the writer was thrilled; essays we declined and then later returned to the writer to work on and he/she was not interested; essays we’ve accepted with moderate edits, and some with no edits. Some essays could not work for us.

Publishing essays is what we love to do. Thank you to each of you who gives us a chance to read your work.