This post, “What to Leave Out” by Laurie Easter, is re-blogged from BREVITY’S Nonfiction Blog. Click here to read the full original post. Don’t miss the Sonja Livingston (The Virgin of Prince Street: Expeditions into Devotion) YouTube interview series “The Memoir Café” embedded in the interview.
Initially, I said that if something doesn’t serve the narrative, then it gets cut (or possibly it was never included in the first place). But I am an essayist who does not write in a strictly narrative form. Often, my essays are lyric—hermit crab, braided, mosaic—pieces that defy standard narrative form, so “it doesn’t serve the narrative,” while applicable some of the time, does not always apply. And in these lyric essay styles, gaps and spaces—what is left out—can be integral to the formation of connections made by the reader.
Sometimes the choice of what to leave out is about protecting someone’s privacy. Inevitably, when we write creative nonfiction, we cannot tell our own story without sharing parts of someone else’s. This can be tricky and requires careful consideration.
Growing the Longridge Review family of writers, editors, readers, and artists is a perpetual joy, and it is truly with joy that we welcome Thea and Semein as 2021 readers (they will be joining, not replacing, our current band of five editors) for The Anne C. Barnhill Prize for Creative Nonfiction. Check them out, and consider submitting your work beginning June 1.
Thea Princewill has written for magazines, newspapers, television, advertising agencies, and corporations for over 25 years. In fact, when she isn’t writing, she is usually reading. Or copy-editing. Or proofreading. Thea lives in South Florida and is currently working to improve her French language skills.
Semein Washington is a poet whose published work can be found in Light, Eye to the Telescope, Sijo: An International Journal of Poetry and Song, Sonder Midwest, and is forthcoming in Hawai’i Review. Semein’s work is ecstatic poetry discussing topics of nature, science, religion, music, comic books, and human experience. He currently lives in Richmond, Virginia, and teaches as an adjunct professor of English at John Tyler Community College.
If you’re new here: In 2010, a little idea for sharing essays on childhood got a big boost when Anne Clinard Barnhill submitted “Winter Solstice” to an unknown fellow West Virginian. I wanted to pursue the idea there is a lot to say about how our early experiences shape the world. Anne later sent “Melungeons and Mystery,” as well as “Staying.” It is because of Anne’s belief in Essays on a West Virginia Childhood that the project became something so much bigger, an online literary journal that publishes writers from coast to coast in the USA, and beyond.