I don’t know about you, but I thought this Winter might be permanent. Some of that was the weather; more of that feeling was the death of my friend, Anne Clinard Barnhill.
Anne was a wonderful writer and a beautiful human being. She wrote a recommendation letter for my MFA application. She submitted 3 essays to the early version of Longridge Review, Essays on Childhood. She always had a kind word or an encouraging message for other writers, and it was that quality that made her shine in the writing community.
One of my favorite aphorisms is, “The perfect is the enemy of the good.” While laboring to make something flawless, we often end up with nothing at all. I find myself procrastinating on defining the process for the Barnhill Prize (What? A writer? Procrastinating?!) because I want it to be perfect; but what I really want more than conceptual perfection is a concrete reality.
I am asking you, dear readers and writers, to share your responses to these ideas. If you are comfortable, I’d love to see your comments on this blog post, right here on this page. If you’d rather your comments be private, you can email me at edg at longridgeeditors dot com.
Draft contest guidelines
Dates for submission: Essays may be submitted September 1 to October 31, 2019. Winners will be announced by the end of January 2020.
Contest queries can be directed to edg at longridgeeditors dot com. The $10 entry fee can be paid online via credit card or PayPal when using our Submittable platform.
Selection process: Each of five editors reads approximately one-fifth of the essays submitted to the competition, with an additional reader available if needed based on the total number of submissions. Editors select three finalists each; the pool of finalist essays is read by (judge to be named), who makes the final selection of one winning essay. The author of the winning essay receives a cash award of $250. The winner has ten days to accept the award. More information about our editors and this year’s judge can be found at (provide link).
Eligibility: The competition is open to writers in English, whether published or unpublished. Previous winners of this award are not eligible to win again. Writers must be residents of North America.
Essays should be double-spaced and no more than 3,500 words in length.
The award recognizes outstanding creative nonfiction that reflects our mission: (See About; add also link to more detailed submission guidelines).
Please be sure essay pages are numbered.
Please use a standard, easy-to-read font such as Times New Roman in twelve-point size.
Essays may not have been previously published.
Authors may submit more than one essay to the competition for consideration as long as no material is duplicated between submissions. Each submission will require a separate entry fee.
Essays under consideration for this competition may be submitted elsewhere at the same time. Please withdraw your essay if it is accepted by another publisher and should no longer be considered for the Barnhill Prize for Creative Nonfiction competition. Withdrawal can be completed via the submissions manager website. Entry fees are not refundable.
Blind review: The intent of this contest is that essays will be considered on the merits of the work and that the final judge will not be aware of the names or publication records of the authors.
Confirmation of receipt and notification: You should receive an e-mail confirmation immediately after submission. An announcement of winners and finalists will be sent to all entrants via e-mail by the end of January.
One more thought: Though there can be only one award winner, we want to include recognition for finalists, a kind of “judge’s choice” acknowledgement. This feels like 2 additional essays being acknowledged in total, but it could be more or less.
Once we complete the contest, we would return to two regular submission periods, maintaining three annual opportunities for submissions, one being the contest now instead of three identical processes.
So this is our start! What do you think? What questions do you have? We hope you will help us make this first competition a success, and not just a success but a positive experience for everyone involved. Thank you!
In 2010, a little idea for sharing essays on childhood got a big boost when Anne Clinard Barnhill submitted “Winter Solstice” to an unknown fellow West Virginian. I wanted to pursue the idea there is a lot to say about how our early experiences shape the world. Anne later sent “Melungeons and Mystery,” as well as “Staying.” It is because of Anne’s belief in Essays on a West Virginia Childhood that the project became something so much bigger, an online literary journal that publishes writers from coast to coast in the USA and beyond (Longridge Review)
The Barnhill Prize honors Anne’s generous spirit of support for all who love to read and write; her lifelong empathy with those who mine their childhood experience to understand themselves now; the natural vulnerability in her compelling prose and poetry; and her boundless generosity in sharing her writing passions with the world.
Gifts to this campaign will benefit writers of Creative Nonfiction (essays and memoir) by establishing an annual prize for excellence fulfilling our mission: To present the finest essays on the mysteries of childhood experience, the wonder of adult reflection, and how the two connect over a lifespan.
Our preliminary goal for 2019 is $2,500. These funds will support a $500 cash prize, as well as provide an honorarium for an outside essay judge. Click here to make a gift: Barnhill Prize on Go Fund Me.
Any additional funds will be preserved to sustain the prize over time. Accounting for funds will be provided annually.
Unless requesting anonymity, all donors will be recognized on a unique page on our website.
One person truly can change the world for the better. Anne is one of those people who has made a difference, who has multiplied her own blessings and made other people’s lives more creative, more rewarding, and more joyful by sharing her life so freely. I can think of no finer person for whom to name the Longridge Review annual prize.
Thank you for honoring Anne, and for supporting Creative Nonfiction!