Dear Reader:

A heads up, this issue is really heavy. There is recounting of a lot of trauma.

But this is part of our mission, I believe. To bring forth how serious childhood is to who we become. To offer empathy and compassion for adults who are still trying to find themselves whole after harm they suffered at a tender age. Absolutely, sometimes the formative event is love or humor. But often, it is not.

Sometimes the harm is callous disregard. Sometimes it is violent assault. Sometimes it is the betrayal of a friend. Sometimes, it is a parent’s love growing mysteriously cold.

And yet….each of these writers still seems to carry a small, unextinguished light. The search for resolution and healing is much of what these essays have in common.

Christopher Woods‘ photographs carry that same small light in darkness.

We hope you will read each essay with care, and with time. There is much to learn here.

Peace and write on,

Elizabeth Gaucher
Editor, Longridge Review

Issue 3 is here, and I am hustling through the last-minute finishing touches that seem to persist no matter how many months in advance we start putting things together for Longridge Review.

Is every bit of formatting perfect yet? Alas, no.

But I find myself soaking in the joy that comes from reading, re-reading, and working through questions with a wonderfully diverse cadre of writers; the quality of our journey far outweighs the frustrations of errant HTML code.

We don’t usually do much with unusual formatting of essays. So far we have allowed white space to inform the reader of paragraph breaks rather than indents. Indent more than one way? Add numerical or linear cues? Experiment with starting a line with a comma?

No.

Except that was all before I read Tom Lin’s Godzilla, a narrative with visual structure that not only  informs us how to read it but also seems to subtly mimic the loneliness and staggered footsteps of the title creature itself. This is a powerful, complex essay that lingers. By examining his childhood impressions of Godzilla, Lin also opens the door to his memories of his grandfather, of the island of Taiwan’s history, and the legacy of the atomic bomb. Lin gifts the reader with a woven vision of family, culture, and destruction. Ultimately, he asks the reader to consider the lost voices and languages of a people but also of their hearts.

I will write up my usual synopsis of each essay and blog those out soon. For now, I can’t hold these back another hour. They are each just too special, and they await your discovery. Visit our home page for links to:

  • Rebecca Chekouras (California), July 11
  • Ryan C. Dailey (Chicago), Home/Life
  • Janet Garber (New York), A Closet of One’s Own
  • Tom Lin (Ohio), Godzilla
  • Ana Christina Peters (South Korea), War
  • Emily Rems (New York), Extra Help
  • Allison Spector (North Dakota), The Bucket Boys
  • Margaret Redmond Whitehead (Brooklyn), Over the Limit

Happy Reading,

Elizabeth Gaucher, Founding Editor, Longridge Review