I wrote an important response to a reader/writer this week.
The question was:
Dear LR editors,
I saw your call for submissions on CRWR-OPPS last month, and also that your next submissions period opens March 1. I have some work that I think might be a good match content-wise for Longridge Review but am not sure about length: your website specifies a maximum of 3,500 words, but the last CRWR-OPPS call said 6,500. Was that an error? It seems like your usual pieces are shorter.
This is what I said:
Thank you. I love hearing that one of our essays has had a positive impact on a reader. I agree, it was a special essay.
I’ll just be straight with you, we are in a transitional moment as a literary journal. We are about to publish (online) our 10th issue. We’ve worked with over 80 writers/visual artists. We’ve learned, I think, a thing or two that will make our next 10 issues even better.
One thing I think I’ve learned is that 6,500 words is just too many for online, not necessarily inherently but in terms of how it tends to tempt people to send us excerpts from longer works vs. actual stand-alone essays. This next call, we are shortening the length to 3,500 words.
I am also going to implement a $3 submission fee. I’ve been very proud of not accepting advertising and not charging submission fees, but the truth is we can’t go on without some form of income. I hope this will not prevent you from submitting, but I understand if it does. I think many of us doing this work, on both ends, are trying to figure it out.
I will send a new call to CRWROPPS with the updated submission information.
We hope to read your work!
What I didn’t say in that response is more complex, and I think nicely described by In Praise of Submission Fees by Nicole Walker. Nichole’s op-ed appeared in Brevity magazine’s blog on February 2, 2018, and takes on the question of how online submission fees really pencil out, for everyone.
I won’t retell it all here, but suffice it to say, Nichole makes a compelling case for the simplicity and relative cost-effectiveness of most online submission fees. She put words to much of my own experience on both sides of the submission experience.
The other thing I didn’t go into is that our best essays are 3,500 words or less. They just have fit that profile, and there may be various reasons for this. Whatever the reasons, it’s time to honor the facts. The longer word count, at least in our experience, tends to drag writers away from the true essay form. There is a lot of wandering and frankly some avoidance that is less likely to appear when the word count is fairly tight. This change is after publishing 10 issues with longer word counts, so we know of what we speak.
We want to keep doing what we are doing. We hear from you every issue how publishing your essays is changing your world for the better. Readers are moved by shared experiences, and writers are freed by telling their stories. It’s not self-help. We explicitly don’t do that. But it’s a common outcome of our mission that people are engaged and connected in the hard work of growing up and finding peace through reading and writing.
Our mission is to present the finest essays on the mysteries of childhood experience, the wonder of adult reflection, and how the two connect over a lifespan.
We are still all in on this work, and we hope we will have your support. Change is not uniformly celebrated, so don’t hesitate to tell us what you think. We want to know.
And….did I mention?
Our submissions period opens March 1, 2018. Send us your best work!
Editor and Founder