Issue 3 is here, and I am hustling through the last-minute finishing touches that seem to persist no matter how many months in advance we start putting things together for Longridge Review.
Is every bit of formatting perfect yet? Alas, no.
But I find myself soaking in the joy that comes from reading, re-reading, and working through questions with a wonderfully diverse cadre of writers; the quality of our journey far outweighs the frustrations of errant HTML code.
We don’t usually do much with unusual formatting of essays. So far we have allowed white space to inform the reader of paragraph breaks rather than indents. Indent more than one way? Add numerical or linear cues? Experiment with starting a line with a comma?
Except that was all before I read Tom Lin’s Godzilla, a narrative with visual structure that not only informs us how to read it but also seems to subtly mimic the loneliness and staggered footsteps of the title creature itself. This is a powerful, complex essay that lingers. By examining his childhood impressions of Godzilla, Lin also opens the door to his memories of his grandfather, of the island of Taiwan’s history, and the legacy of the atomic bomb. Lin gifts the reader with a woven vision of family, culture, and destruction. Ultimately, he asks the reader to consider the lost voices and languages of a people but also of their hearts.
I will write up my usual synopsis of each essay and blog those out soon. For now, I can’t hold these back another hour. They are each just too special, and they await your discovery. Visit our home page for links to:
- Rebecca Chekouras (California), July 11
- Ryan C. Dailey (Chicago), Home/Life
- Janet Garber (New York), A Closet of One’s Own
- Tom Lin (Ohio), Godzilla
- Ana Christina Peters (South Korea), War
- Emily Rems (New York), Extra Help
- Allison Spector (North Dakota), The Bucket Boys
- Margaret Redmond Whitehead (Brooklyn), Over the Limit
Elizabeth Gaucher, Founding Editor, Longridge Review